While looking up parking requirements for our site, I came across this:
http://city-egov.cincinnati-oh.gov/Webtop/ws/council/public/child/Blob/19292.pdf;jsessionid=88D53B14C2C7AAB99062056AC26440DA?m=18317
It also includes goals for the Urban Mixed zone, and set backs,
To sum it up, one parking space is required per residential unit, plus parking for the the Make part if the building. This can be provided on site, or there are ways to negotiate with neighboring buildings. [ I suspect the church and its Sunday crowd would miss the existing parking lot on our site if it were gone]
Residential Units require a 10 foot Front Yard set back (all other uses do not.) There are no Side Yard set backs for any use. Every use requires a 10 foot Rear Yard set back. The maximum height for any building in the UM (urban mix) zone in 45 feet.
BAC FALL 2012 ADVANCED STUDIOS TAUGHT BY DAN WEISSMAN AND KYLE STURGEON. This studio focuses on design proposals for the Cincinnati Industrial Arts Center (CIAC) in the city’s re-emerging Over-the-Rhine District, a project that will include a membership-based fabrication center, artist-in-residence studios, and small business as the foundation of its program.
Sunday, October 21, 2012
Saturday, October 20, 2012
Cincinnati & Clifton Inclined Plane Railroad
http://www.cincinnativiews.net/inclines_2.htm
I was researching the Bellevue Hill Park adjacent to our site and came across this, its totally cool.
I think that is our building on the left, the station was right on our property. There are some great pics on that site.
Craig
I was researching the Bellevue Hill Park adjacent to our site and came across this, its totally cool.
I think that is our building on the left, the station was right on our property. There are some great pics on that site.
Craig
Friday, October 19, 2012
Models and Descriptions
With the first group of models I experimented with plaster in 3 different forms.
This was made by creating a form and using plastic wrap as a mold for the plaster.
The second attempt was pouring plaster into a plastic shopping bag.
The third and final attempt was with canvas.
Getting the right texture with a fluid form was something I really focused on accomplishing. I tried using the plaster in a way that showed the organic shape, which can be made when the material of the form, if it is used carefully. The part that interested me with these models is the fact that plastic is this liquid form but is never represented as such. I wanted to explore the fluid nature that plaster can accurately show.
The next iteration dealt with integrating site analysis data into the form. But with this attempt I used a much lighter fabric instead of the canvas. I wanted to show even more the organic aspect that plaster can have.
In this case the higher/lower the form represented the high/low percentages of families below poverty.
I then used a heat gun to wrap a piece of acrylic around the curved shape.
This next model was originally designed in Rhino. I sectioned the pieces, printed them out, and cut them out of 1/4 plywood using a band saw. I also cut notches out at the intersection points so the model would assemble with no needed connections.
I wanted to keep using the acrylic so I made a vacuum form shown above for the previous model shown made out of the 1/4" plywood.
I took the plastic sheet, heated it in the oven and stretched it over the wooden form. I placed both on the vacuum form and switched it on to produce tightly shaped plastic sheet that will display the ribs of the previous form.
This is the final plastic shape before I cut it out to assemble it into the final model. (excuse the windex)
I cut the plastic out of the formwork and attached it to a 1/2" piece of plywood to start assembling the hydroponics planter. I also used a heat gun and stretched plastic water bottles through until they fit perfectly.
I attached the tubing which would become the water supply to the plants.
I then hooked up the pump with a water basin and connected the tubing to keep an continuous loop of water circulating through the bottles. The tubes had small holes that would allow the water to leak into the bottle, through the rocks and to the root of the plant, feeding it nutrients.
Then I threw some LED's on the top and bottom. I feel like you can never go wrong with some LED's, it gives the project an entirely new personality.
The next phase of design was massing models. All of these forms currently follow the same concept of living, breathing, architecture. I am really interested in exploring how architecture weathers and researching how I can take that and make it an advantage for the design as well as aid the people in Over-The-Rhine. I also want to incorporate part of the last model, using hydroponics to create a knowledge base that the people in OTR can use and apply it to their own lives.
I focused on creating this massing model to directly take shape from the proposed human movement on the site. This created the opportunity for gathering spaces in the voids in the sides of the mass.
This model explored the use of habiting the roof structure. So much of the mass is roof, so I wanted to make use of it, whether it be gathering spaces for residents and workers, or more private outdoor spaces to be used for the residents.
The digital files are fairly large, I will compress and upload asap.
Thursday, October 18, 2012
Annotated images of digital and physical models - 10-17-12
Jeff Estes:
The following models are based on a program-less (also scaleless) building on our site, as it would be influenced by the four factors.
I looked at the basic human needs of shelter - four walls and a roof. Digital A shows the simple form, while Physical A divides the building into individual spaces where program can be housed.
Jeff Estes:
The following models are based on a program-less (also scaleless) building on our site, as it would be influenced by the four factors.
Human Needs
Digital A
Physical A
I looked at the basic human needs of shelter - four walls and a roof. Digital A shows the simple form, while Physical A divides the building into individual spaces where program can be housed.
Material Study
Digital B
Physical B
Now that I had a form that suits basic human needs, it needed a material; but how would that material influence the form? Both Digital B and Physical B show how a concrete would change the basic form. The building could be constructed with a reinforced concrete truss system.
Energy Systems
Digital C
Physical C
How about natural energy systems? If the building were to take advantage of natural solar energy, it would be rotated so that it has one long side facing southeast, and a shorter side facing southwest.
Style
Digital D
Physical D
Now, that basic form would change, based on stylistic influence. Digital D takes local materials and scale into account. Physical D explores local scale.
I feel that I went far off course with this, but maybe it will prove useful later.
Great Infographics
All-
As you develop diagrams of program relationships and other elements, use this for good ideas:
http://pinterest.com/prettylethal/infographics-iconography/
As you develop diagrams of program relationships and other elements, use this for good ideas:
http://pinterest.com/prettylethal/infographics-iconography/
Tuesday, October 16, 2012
3 Industrial and 3 Apartment buildings
Industrial #1
Packard Automobile Plant
Albert Kahn
Detroit Michigan
When the building opened in 1903, it
was called the most modern manufacturing plant in the world. Built
of reinforced concrete, it was Detroit's first industrial building of
that type.
After Packard closed in 1958, the
building was used as a warehouse, but the last tenant left in 2010.
Over the years, the building has faced vandalism and the elements,
but thanks to its reinforced concrete, still stands mostly intact.
Today, the building is home to its
caretaker who describes the building/his home as an indoor farm. The
plant is due for demolition, but there is a dispute over who actually
owns the property.
Industrial #2
Volkswagen Assembly Plant
SSOE
Chattanooga, Tennessee
VW's new plant, opened in 2011, is the
first automobile manufacturing plant to receive LEED certification.
The building utilizes the passivhaus philosphy.
The building is divided into three
sections: body shop, main assembly, and paint shop. Along the
assembly line are three major check points – one following each
shop. The circular plan allows for a short walking distance between
checkpoints, because inspectors must communicate across checkpoints
when problems are encountered.
The plant is intended to be flexible so
that it can manufacture any of VW's cars. (it just can not assembly
trucks, which are not a major part of VW's lineup.)
Industrial #3
Fagus Factory
Walter Gropius, Adolf Meyer
Alfeld, Germany
This factory to produce Shoe Lasts (the
form for shoe making) opened in 1913, with additions completed in
1925.
The company's owner wanted a building
that departed from history to usher in a new age in manufacturing,
and show the company's new direction. Both Gropius and Meyer were
influenced by Peter Behrens' design for the AEG building. During the
time Behrens was working on AEG, Gropius and Meyer worked with him.
The complex consists of multiple
buildings. They are constructed of different systems, but because
they utilize the same materials, they appear as one whole.
The Fagus Factory building was
constructed along side railroad tracks, its design is influenced by
its response to that line of modern (at the time) transportation.
Apartment #1
Floating Apartment
Waterstudio
The Netherlands
These 60 luxury apartments are floating
on water, and construction began in 2009.
The design goal for this project is
energy efficiency.
The designers say it is a response to
rising waters, but it is a region where living near or on the water
is common.
Despite floating on water, the
apartments still have generous terraces and parking for all.
Apartment #2
Prefab Apartment Complex
Interface Studio Architects
Philadelphia, Pennsylvania
The apartment building was constructed
from 80 prefabricated modules, and contains 72 housing units.
The building is housing for students,
and is LEED rated.
Apartment #3
Condominium Trnovski Pristan
Juri Sadar, Bostjan Vuga
Trnovski Pristan, Ljubljana, Slovenia
They claim the pixel-like effect alters
the perception of its size, but for me, it it only blurs the location
of windows.
This apartment was completed in 2004,
and has a tiled facade. The tiles are colored to create the
pixel-like effect.
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